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Music --- Literature --- anno 1500-1799
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Art --- anno 1500-1799 --- Esthétique --- Histoire --- Pline l'Ancien, --- Anecdotes --- History --- Aesthetics --- Histoire.
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Après avoir été longtemps réduites à des recueils de sentences morales ou à des modèles rhétoriques, les pièces des grands dramaturges grecs et latins reconquièrent, à la fin du XVe siècle, une part importante de leur théâtralité. Le travail des traducteurs, situé au carrefour de l’explication philologique et de l’appropriation culturelle, est un élément essentiel de ce renouveau. Le théâtre occupe une place centrale parmi les œuvres antiques éditées et commentées par les Renaissants, et dans leurs réflexions sur l’Antiquité, mais pose de nombreux problèmes d’interprétation. Comment lire ces textes destinés à la scène et dont une pleine compréhension engage le ressaisissement d’un monde révolu? Les contributions réunies dans ce volume explorent la diversité des pratiques européennes du XVe au XVIIIe siècle afin de mieux mettre en valeur le rôle joué par la traduction dans le nouveau statut du texte dramatique. Elles éclairent la dimension herméneutique de la traduction, son apport à la réflexion théorique sur le théâtre et la place du spectacle antique dans la Querelle des Anciens et des Modernes.
Classical drama --- European drama --- Philology --- Translations --- History and criticism. --- Comparative literature --- Classical literature --- anno 1500-1799 --- anno 1400-1499 --- Europe
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Painting --- anno 1500-1799 --- anno 1800-1899 --- Quito --- Painting, Ecuadorian --- Painting, Colonial --- Painting, Ecuadorian - Ecuador - Quito --- Painting, Colonial - Ecuador - Quito
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History of Europe --- anno 1500-1799 --- Public opinion --- Opinion publique --- History --- Histoire --- --Europe --- --XVIe-XVIIIe s., --- History. --- XVIe-XVIIIe s., 1501-1800 --- Europe
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Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century. Author Sally Hickson combines primary archival research, contextual analysis of the climate of female mysticism, and a re-examination of a number of visual objects (particularly altarpieces devoted to local beatae, saints and female founders of religious orders) to delineate ties between women both outside and inside the convent walls. The study contests the accepted perception of Isabella d'Este as a purely secular patron, exposing her role as a religious patron as well. Hickson introduces the figure of Margherita Cantelma and documents concerning the building and decoration of her monastery on the part of Isabella d'Este; and draws attention to the cultural and political activities of nuns of the Gonzaga family, particularly Isabella's daughter Livia Gonzaga who became a powerful agent in Mantuan civic life. Women, Art and Architectural Patronage in Renaissance Mantua provides insight into a complex and fluid world of sacred patronage, devotional practices and religious roles of secular women as well as nuns in Renaissance Mantua. Contents: Introduction: saints and the city; Popular devotion: Isabella d'Este, the Beata Osanna Andreasi and depictions of female sanctity in Mantua; Friendship and devotion: Margherita Cantelma and Isabella d'Este; Partners in piety: Margherita Cantelma, Isabella d'Este and the monastery of Santa Maria della Presentatzione in Tempio in Mantua; Daughters of devotion: Suor Ippolita Gonzaga and Suor Paola Gonzaga in Mantua; Gonzaga family piety and sisterly affection: Margherita Paleologa, first Duchess of Mantua; Appendices; Bibliography; Index.
History of Italy --- anno 1500-1799 --- Art patronage --- Women art patrons --- Art and society --- Women --- Mécénat --- Femmes mécènes --- Art et société --- Femmes --- History --- Histoire --- History. --- Mécénat --- Femmes mécènes --- Art et société --- women [female humans] --- vrouwbeeld --- widows --- Christian clergy --- Iconography --- fatale vrouw --- patronage --- deugdzame vrouwen
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From the Netherlands to the Ottoman Empire, to Japan and India, this groundbreaking volume confronts the complex and diverse problem of the formation of fiscal states in Eurasia between 1500 and 1914. This series of country case studies from leading economic historians reveals that distinctive features of the fiscal state appeared across the region at different moments in time as a result of multiple independent but often interacting stimuli such as internal competition over resources, European expansion, international trade, globalisation and war. The essays offer a comparative framework for re-examining the causes of economic development across this period and show, for instance, the central role that the more effective fiscal systems of Europe during the seventeenth and eighteenth centuries played in the divergence of east and west as well as the very different paths to modernisation taken across the world.
World history --- anno 1500-1799 --- anno 1800-1999 --- AA / International- internationaal --- finances publiques histoire --- 331.100 --- 331.161.0 --- openbare financien geschiedenis --- Economische geschiedenis: algemeenheden. --- Geschiedenis van de overheidsfinanciën: agemeenheden. --- Fiscal policy --- BUSINESS & ECONOMICS --- History. --- Economic History. --- Business & economics --- Economic history. --- Tax policy --- Taxation --- Economic policy --- Finance, Public --- History --- Economische geschiedenis: algemeenheden --- Geschiedenis van de overheidsfinanciën: agemeenheden --- Government policy --- Arts and Humanities
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Choirs (Architecture) --- Church architecture --- Liturgy and architecture --- Catholic church buildings --- Choeurs (Architecture) --- Architecture chrétienne --- Liturgie et architecture --- Eglises catholiques --- Congresses. --- History --- Congresses --- Congrès --- Histoire --- 726 <4> --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Europa --- Conferences - Meetings --- churches [buildings] --- Religious architecture --- chancels --- liturgy --- anno 500-1499 --- anno 1500-1799 --- Europe --- Architecture chrétienne --- Congrès
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In early modern Europe, fundamental geographical as well as religious certainties became unstable. At the intersection of the two stood sacred geography. This book examines the scope and content of this early modern scholarly genre, which engaged many of Europe’s leading scholars. On the one hand, 'geographia sacra' is analyzed in the context of antiquarian scholarship. Equipped with newly-developed sophisticated tools, scholars compiled, measured, and meticulously documented biblical and ecclesiastical space. On the other hand, this study argues, 'geographia sacra' was never detached from present concerns, and took part in confessional debates over scriptural authority, papal legitimacy, and the authenticity of liturgy. Hence today’s interest in the notions of ‘sacred space’ and spatiality had a lively, controversial, and crucial precedent in the sixteenth and seventeenth centuries. Scientific and Learned Cultures and Their Institutions , 2
Religion and geography --- Sacred space --- Religion and geography. --- History of Europe --- Geography --- Christian church history --- anno 1500-1799 --- Sacred space. --- Bible --- Study and teaching --- History. --- Holy places --- Places, Sacred --- Sacred places --- Sacred sites --- Sacred spaces --- Sites, Sacred --- Space, Sacred --- Holy, The --- Geography and religion
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